Still-shot from a performance I did on my residency at Joya Arte and Ecologia based in Almeria, Spain.
It Wasn't Meant to be Like This (It Was Meant to be Like This), shown at the LJMU Degree Show 2017.
Close up still shot of 'The Specific Points of Interest Series: Part Three', shown at The Surtsey Gallery 2017.
Close up shot of 'The Specific Points of Interest Series: Part Two', shown at The Surtsey Gallery 2017.
Following on from the Body Map Paintings, Sam continued a similar process though here with coloured lard. These sculptures are more relevant to Sam's internal state, and will always be destroyed or manipulated further to highlight the work's ephemerality.
Recycling a previous piece of work then taking it to a new level, the piece demonstrates how feelings are also reused in different instances.
A performance piece in three parts, narrating the process of taking on and then finally releasing oneself of negative feelings.
Image from performance piece. With eyes closed, lard was manipulated on a board which represents my feelings: ephemeral and ever-changing.
By feeling the body with one hand and painting with the other hand, Sam externalises her internal state through the use of painting. This painting is one of many 'Body Maps'. They are also specific to the present moment at which Sam painted the piece, therefor they can act as a visual diary.
Sam is a Liverpool-based artist currently working with performance, sculpture and painting to explore themes of self and social healing. Sam also utilises themes of domesticity and nostalgia in order to express the ephemeral, ever-changing quality of the internal state.
Sam is also being represented online by the National Open Art Awards 2017, and you can view her short film piece on their website by clicking here: